There were
two common elements that were apparent in all three short stories for this
unit. The first element was how fast all three authors presented death towards
the ending of their respective stories. For example, when Ignacio Padilla
concludes the story by announcing Donald Campbell’s sudden death in The Antipodes and the Century, he decides to also bring on a presumed
sandstorm to the replica Edinburgh and bury the sand city. In Hassan Blasim’s
The Corpse Exhibition, the instructor
for the narrator suddenly stabs him in the stomach for ending of the story. Let’s
also not forget Yoko Ogawa’s ending in Labcoats
in which the secretaries’ friend randomly announces she killed the doctor
that she had an affair with for forcing her to wait for him to start his
divorce. If read carefully, there is a minor element that the three authors share
with death; how comfortable the characters reacted when death (or violence)
happened. As for the second element, the directness of the dialogue for all the
stories was very common. Although The Antipodes
and the Century required more reading and a little more effort to understand
than the two other stories, it was very clear to understand what was going on
in the text and understand what their backgrounds are. In speaking of
backgrounds, Hassan Blasim’s background was more evident in his story; by
considering his past life in Iraq and the amount of violence in The Corpse Exhibition, it was easy to
understand how Hassan was able to create such a disturbing and violent dialogue.
Since I do not have much background on
Japanese culture and history, it was a little difficult to understand how she
was inspired to write a story that started out as innocent and ended very
horrifically. I believe Ignacio’s background was not shown at all in The Antipodes and the Century because
from the interpretation I was able to create, there were no representation of
his Mexican background. Coming from a Mexican family, it was very hard to find
any indication that he was from Mexico.
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